![]() When I went to get the film developed, I walked into this place called DuArt, which was like a lab, and the guy went, “What is this?” I looked so young at the time. So I turned the story into a script and shot it with a couple of friends in New York. She made me read it in front of everybody, and at the end of the class, she pulled me aside and asked, “What do you want to do when you graduate?” I said, “I think I want to make movies.” She said, “If I can get you money from the school system, could you turn this story into a short film?” I said, “Of course.” Somehow she got some money. I thought I was in trouble but she held up the story and went, “This is the best story.” I was shocked. I was in the back of the classroom with my head down and the teacher called out my name. I’d never been told I was good at anything by teachers, or anybody, but I wrote a story for this class. Then in high school I took a creative-writing class. I remember seeing a John Cassavetes movie, and Spike Lee’s first movie, She’s Gotta Have It (1986). HK By the time I was sixteen, I had a pretty strong sense that I wanted to make movies. It’s all interconnected, a “unified aesthetic.” It all comes from the same place, inside me, and it’s all speaking the same language.Įmmanuel Burdeau When did you start to write? It’s more about expression, how can I put what’s inside outside. For me, it was never about mastering a medium, I don’t care about that. I write books and poems, make paintings, and take photographs. If one joint is good, why not smoke ten?” Throughout, Moondog is propped up by a cast of helpful enablers, including Flicker (Zac Efron), a fellow addict sporting a beard that looks like a panini Minnie (Isla Fisher), his ever-patient wife Lingerie (Snoop Dogg), whose joy revolves around procuring Jamaica’s highest-grade marijuana and Lewis, his literary agent, played by Jonah Hill with an impressively terrible Southern accent.Harmony Korine Movies are the first thing I fell in love with, and I became known as a movie director, but really I’ve never thought of myself in such a singular way. ![]() ![]() “If something feels good, he just does it over and over again. “His character is a sensualist,” Korine says. Thompson and that obnoxious close-talking drunk at the bar who wants to be your best friend for him, carpe diem means breaking out of a rehab clinic to return to the inebriated ramble that is his life. The Beach Bum, which opens on March 29, tells the story of Moondog (McConnaughey), a privileged, bohemian poet who hangs out with Jimmy Buffet and divides his time between the dives of the Florida Keys and a mansion on Miami’s Star Island. “I never liked the idea of limiting it to some type of audience that ‘gets it.’” “However radical the perception of the work is, I always want it to come out in the most mainstream way possible,” Korine says. Like 2012’s Spring Breakers, the new film is a mindfuck of disparate styles, tones, and expectations, one that almost invites wildly off-kilter misreadings. But whereas his latest paintings are eerily vacant-mostly empty, nighttime spaces, populated only by dogs and imaginary creatures- The Beach Bum captures the strange human pageant that calls that landscape home. Korine doesn’t love drawing comparisons between his visual art and his films, but does note certain links between “Young Twitchy” and a movie like The Beach Bum-“tone, color, location, the kind of psychogeography of the world” among them. HARMONY KORINE, Twitchy we are one, 2018, Oil on canvas, 60 1/4 x 49 1/2 in, 153 x 125.7 cm.
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